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This is a 1 Troy Ounce bar of Pan American .999 PURE silver.

Silver is an excellent investment (if it's pure) because no matter how much value the American dollar loses, silver will hold its value as precious and desired commodity.

Bullion silver is in such incredibly high demand now because of the recession, and inflation fears, that there is a worldwide shortage. So far, it is only a distribution shortage, not a production shortage, so the price hasn't yet risen to where experts predict it will.

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Pioneer's TS-A1683R 6-1/2-inch four-ways now feature upgraded power handling of 280 watts max. (50 watts nominal). This year, they also feature something they've inherited from the D-Series speakers--a basalt cone. Pioneer continues to set an example with next-generation technology for improved sound: the tweeter, magnets, surrounds, the voice coil wire, the basket and more are all high-performance components that make up a great speaker. Pioneer's A-Series Speakers Pioneer A-series speakers outperform factory speakers on nearly every level. Packing a powerful punch, A-Series speakers are equipped with up to three independent tweeters with reinforced woofers, so every beat is heard and felt. Featuring a bigger, better cone than most OEM speakers, the A-series boasts serious output and booming bass. Extra-sensitive tweeters play at higher frequencies and are capable of handling stronger audio signals, resulting in vocals that are crisp and clear, even when you crank the volume. TS-A1683R Features Carbon Graphite IMPP Interlaced Aramid/Basalt Fiber Cone One of Pioneer's major speaker breakthroughs was IMPP (Injection-Molded Polypropylene), which allowed cones to be lighter and more rigid. Pioneer then added long stands of Aramid fibers into the mix, for extra strength. Now, they've gone even further with the TS-A1683Rs, adding basalt and carbon graphite interlaced with long aramid fibers to provide strength and rigidity that powerful bass sound requires. High-density compressed internal architecture is resilient, stacks up against high power well and transfers sound quickly. The result is full-bodied, rich sound with midrange depth that conventional IMPP cones cannot match, and the durability to stand up to the high volume levels, humidity, and temperature extremes that thrash other speakers. Large Diaphragm Tweeter The newly developed tweeter disperses sound more widely with superior control, providing listeners with the best sound under all conditions, regardless of listening position or car. And the 1" mounting depth achieves more flexible installation. Heat Resistant Polyester-Imide Resin Voice Coil Wire Creating mechanical energy is hot work, especially at high volume levels. And as we all know, heat can cause distortion. That's why the TS-A1683R uses a heat-resistant polyester-imide resin voice coil wire. It allows the voice coil to handle more heat, improving input power handling as well as reliability. So go ahead. Turn it up. Power Handling The TS-A1683R now handles a full 280 watts max. power (40 watts nominal). Along with enhanced power handling, you still get the same high performance that all the TS-A's deliver. A four-way speaker with 280 watts power handling. Click to enlarge. TS-A1683R Specs Woofer Cone Material: Carbon Graphite IMPP Interlaced Aramid/Basalt Fiber Surround: Light Weight Elastic Polymer Voice Coil Bobbin: Glass-Imide Voice Coil Wire: Copper Damper: Aramid Midrange: 3/4" Soft Dome Tweeter: 3/8" PET Film Dome Supertweeter: 3/8" PET Film Dome Basket Design: Full Depth Basket for Rich Bass Respons Speaker Grille: Included Watts MAX. Music Power: 280 Watts Watts Nominal Power Handling: 50 watts Frequency Response: 36 Hz to 28 kHz Sensitivity (1W/1m): 91 dB Ohm Rating: 4 Mounting Depth: 2-1/4" (57mm) Cut-out Dimensions: 5" (128mm) Custom-Fit Basket: GM-Fit Basket for Improved Fit on GM Oversized 6-1/2" Applications Pioneer Car Audio SystemsPioneer's Mobile Business Group is known for offering the kind of in-car products that make driving more enjoyable by offering high quality audio and video, seamless connectivity and ease-of-use. Its focus is on the development of new digital technologies including audio video, navigation and satellite radio, while maintaining its strong heritage in products for car audio enthusiasts and sound competitors. What's in the Box Pioneer TS-A1683R Three-Way Speaker (Pair), Mounting Hardware, Installation Guide

Pioneer TS-A1683R Speaker TS-A1683R 1281

Features

• 6-1/2-inch, four-way speakers with 280 watts maximum power handling (50 watts nominal)
• Woofers feature carbon graphite IMPP interlaced aramid/basalt fiber cone with polymer surround
• 3/4-inch soft dome midrange, 3/8-inch PET film dome tweeter and supertweeter
• Heat-resistant polyester-imide resin voice coil wire for improved power handling
• 36 Hz to 28 kHz frequency response with 91 dB sensitivity

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The new State Quarters are America's most popular coins - but few people will ever have the chance to own the fabulous set of coins that are gold plated and enhanced with genuine holograms.

Features

• 2000 24K Gold Plated Hologram State Quarters

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1,500 watts RMS x 1 at 4 ohms (2,000 watts RMS x 1 at 2 ohms) Variable low-pass filter (50-200 Hz, 24 dB/octave) Variable bass boost (0-12 dB, 30-80 Hz) Selectable subsonic filter (off, 15, 30 Hz; 24 dB/octave) Next-Generation V-Power Class D amp with MOSFET power supply CEA-2006 compliant Speaker- and preamp-level inputs gold-plated screw terminals 0/1-gauge power and ground leads recommended wiring and hardware not included with amplifier 20-1/4"W x 2-3/8"H x 9-9/16"D Warranty: 1 year

Features

• Massive Power-packed Amp Guaranteed to Deliver Power
• Best Dollar-Per-Watt performance
• Sleek Aggressive Design

List Price: $129.95
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Ten-disc set includes "Where Eagles Dare," "Kelly's Heroes," "Dirty Harry," "The Rookie" (1990), "Unforgiven" (1992), "Absolute Power," "Mystic River," "Million Dollar Baby," "Letters from Iwo Jima," and "Gran Torino."

Absolute PowerDirector Clint Eastwood's 1997 box-office hit stars himself as Luther Whitney, a highly skilled thief who finds himself in the wrong place at the wrong time, witnessing the murder of a woman involved in a secret tryst with the U.S. president (played by Gene Hackman). Determined to clear his name, Whitney cleverly eludes a tenacious detective (Ed Harris) while investigating a corruption of power reaching to the highest level of government. Adapted by veteran screenwriter William Goldman from David Baldacci's novel, this thriller balances expert suspense with well-drawn characters and an intelligent plot that's just a pounding heartbeat away from real White House headlines. Absolute Power features the great Judy Davis in a memorable supporting role as the White House chief of staff who desperately attempts to cover up the crime. --Jeff ShannonDirty HarryWhether or not you can sympathize with its fascistic-vigilante approach to law enforcement, Dirty Harry (directed by star Clint Eastwood's longtime friend and directorial mentor, Don Siegel) is one hell of a cop thriller. The movie makes evocative use of its San Francisco locations as cop Harry Callahan (Eastwood) tracks the elusive "Scorpio killer" who has been terrorizing the city by the Bay. As the psychopath's trail grows hotter, Harry becomes increasingly impatient and intolerant of the frustrating obstacles (departmental red tape, individuals' civil rights) that he feels are keeping him from doing his job. A characteristically taut and tense piece of filmmaking from Siegel (Invasion of the Body Snatchers, The Shootist, Escape from Alcatraz), it also remains a fascinating slice of American pop culture. It was a big hit (followed by four sequels) that obviously reflected--or exploited--the almost obsessive or paranoid fears and frustrations many Americans felt about crime in the streets. At a time when "law and order" was a familiar slogan for political candidates, Harry Callahan may have represented neither, but from his point of view his job was simple: stop criminals. To him that end justified any means he deemed necessary. --Jim EmersonClint Eastwood's Gran Torino, an unassuming picture shot during a post-production lull on his elaborate period piece Changeling, was quietly rolled out at Christmastime 2008, whereupon it proceeded to blow away all the Oscar-bait behemoths at the box office and win its 78-year-old star the best reviews of his acting career. Both film and performance are consummately sly--coming on with deceptive simplicity, only to evolve into something complex, powerful, and surprisingly tender. Just as Unforgiven was a tragic reflection on Eastwood's legacy in the Western genre, Gran Torino caps and eloquently critiques the urban heritage of Dirty Harry and his violent brethren. And on top of that, the movie becomes a savvy meditation on America in a particular historical moment, racially, economically, spiritually. Call it a "state of the union" message. But call it that with a wry grin.Gran Torino The latest Dirty Harry is actually a grumpy Walt: Walt Kowalski (Eastwood playing his own age), widower, Korean War veteran, retired auto worker, and the last white resident of his Detroit side street. It's hard to say who irks him more--his blood kin (a pretty lame bunch) or the Hmong families who are his new neighbors. Kowalski's a racist, because it has never occurred to him he shouldn't be. Besides, that's the flipside of the mutual ethnic baiting that serves as coin of affection for him and his working-class buddies. Circumstances--and two young people next door, the feisty Sue (Ahney Her) and her conflicted brother Thao (Bee Vang)--contrive to involve Walt with a new community, and anoint him as its hero after he turns his big guns on some ruffians. The trajectory of this may surprise you--several times over. Eastwood opted to film in economically blighted Detroit--a shrewd decision, but it's his mapping of Walt's world in that classical style of his that really counts. Every incidental corner of lawn, porch, and basement comes to matter--and by all means the workshop/garage that houses the mint-condition Gran Torino which Walt helped build in a more prosperous era. This is a remarkable movie. --Richard T. JamesonKelly's HeroesThis tongue-in-cheek 1970 variation on The Dirty Dozen looks less fresh than it did in the year of its release, but it still has some enjoyable moments. Clint Eastwood stars along with Donald Sutherland, Harry Dean Stanton, Telly Savalas, Don Rickles, Carroll O'Connor, and Gavin MacLeod in the story of American soldiers who try to steal gold behind enemy lines in World War II. Sutherland's hippie G.I. doesn't have the sardonic and timely appeal he did during the Vietnam War, but the film's irreverence and several of the performances are worth a visit. --Tom KeoghLetters From Iwo JimaCritically hailed as an instant classic, Clint Eastwood's Letters from Iwo Jima is a masterwork of uncommon humanity and a harrowing, unforgettable indictment of the horrors of war. In an unprecedented demonstration of worldly citizenship, Eastwood (from a spare, tightly focused screenplay by first-time screenwriter Iris Yamashita) has crafted a truly Japanese film, with Japanese dialogue (with subtitles) and filmed in a contemplative Japanese style, serving as both complement and counterpoint to Eastwood's previously released companion film Flags of Our Fathers. Where the earlier film employed a complex non-linear structure and epic-scale production values to dramatize one of the bloodiest battles of World War II and its traumatic impact on American soldiers, Letters reveals the battle of Iwo Jima from the tunnel- and cave-dwelling perspective of the Japanese, hopelessly outnumbered, deprived of reinforcements, and doomed to die in inevitable defeat. While maintaining many of the traditions of the conventional war drama, Eastwood extends his sympathetic touch to humanize "the enemy," revealing the internal and external conflicts of soldiers and officers alike, forced by circumstance to sacrifice themselves or defend their honor against insurmountable odds. From the weary reluctance of a young recruit named Saigo (Kazunari Ninomiya) to the dignified yet desperately anguished strategy of Japanese commander Tadamichi Kuribayashi (played by Oscar-nominated The Last Samurai costar Ken Watanabe), whose letters home inspired the film's title and present-day framing device, Letters from Iwo Jima (which conveys the bleakness of battle through a near-total absence of color) steadfastly avoids the glorification of war while paying honorable tribute to ill-fated men who can only dream of the comforts of home. --Jeff ShannonMillion Dollar BabyClint Eastwood's 25th film as a director, Million Dollar Baby stands proudly with Unforgiven and Mystic River as the masterwork of a great American filmmaker. In an age of bloated spectacle and computer-generated effects extravaganzas, Eastwood turns an elegant screenplay by Paul Haggis (adapted from the book Rope Burns: Stories From the Corner by F.X. Toole, a pseudonym for veteran boxing manager Jerry Boyd) into a simple, humanitarian example of classical filmmaking, as deeply felt in its heart-wrenching emotions as it is streamlined in its character-driven storytelling. In the course of developing powerful bonds between "white-trash" Missouri waitress and aspiring boxer Maggie Fitzgerald (Hilary Swank), her grizzled, reluctant trainer Frankie Dunn (Eastwood), and Frankie's best friend and training-gym partner Eddie "Scrap-Iron" Dupris (Morgan Freeman), 74-year-old Eastwood mines gold from each and every character, resulting in stellar work from his well-chosen cast. Containing deep reserves of love, loss, and the universal desire for something better in hard-scrabble lives, Million Dollar Baby emerged, quietly and gracefully, as one of the most acclaimed films of 2004, released just in time to earn an abundance of year-end accolades, all of them well-deserved. --Jeff ShannonMystic RiverSuperior acting, writing, and direction are on impressive display in the critically acclaimed Mystic River, Clint Eastwood's 24th directorial outing and one of the finest films of 2003. Sharply adapted by L.A. Confidential Oscar-winner Brian Helgeland from the novel by Dennis Lehane, this chilling mystery revolves around three boyhood friends in working-class Boston--played as adults by Tim Robbins, Sean Penn, and Kevin Bacon--drawn together by a crime from the past and a murder (of the Penn character's 19-year-old daughter) in the present. These dual tragedies arouse a vicious cycle of suspicion, guilt, and repressed anxieties, primed to explode with devastating and unpredictable results. Eastwood is perfectly in tune with this brooding material, giving his flawless cast (including Laura Linney, Marcia Gay Harden and Laurence Fishburne) ample opportunity to plumb the depths of a resonant human tragedy, leading to an ambiguous ending that qualifies Mystic River for contemporary classic status. --Jeff ShannonThe RookieThis somewhat desperate-looking project pairs the aging Clint Eastwood (he also directed) with a younger actor (Charlie Sheen) who was hot at the time this film was made (1990). There's certainly nothing wrong with that strategy, but it would have helped if Eastwood had a decent story to wrap around his commercial strategy. The senior star plays a grizzled cop with a smooth-faced preppie (Sheen) as a new partner. Their odd-couple shtick is as predictable as one would expect, with each man approaching the same job with a wholly different set of convictions from the other. Inexplicably, Eastwood also hired Raul Julia and Sonia Braga to plays Germans, but then the scene most people remember in this movie is Braga's rape of Eastwood--indeed an unusual moment. --Tom KeoghUnforgivenWinner of four Academy Awards, including best picture, director, supporting actor, and best editing, Clint Eastwood's 1992 masterpiece stands as one of the greatest and most thematically compelling Westerns ever made. "The movie summarized everything I feel about the Western," said Eastwood at the time of the film's release. "The moral is the concern with gunplay." To illustrate that theme, Eastwood stars as a retired, once-ruthless killer-turned-gentle-widower and hog farmer. He accepts one last bounty-hunter mission--to find the men who brutalized a prostitute--to help support his two motherless children. Joined by his former partner (Morgan Freeman) and a cocky greenhorn (Jaimz Woolvett), he takes on a corrupt sheriff (Oscar winner Gene Hackman) in a showdown that makes the viewer feel the full impact of violence and its corruption of the soul. Dedicated to Eastwood's mentors Sergio Leone and Don Siegel and featuring a colorful role for Richard Harris, it's arguably Eastwood's crowning directorial achievement. --Jeff ShannonWhere Eagles DareScorned by reviewers when it came out, this concentrated dose of commando death-dealing to legions of Nazi machine-gun fodder has acquired a cult over the years. In 1968 Clint Eastwood was just getting used to the notion that he might be a world-class movie star; Richard Burton, whose image had been shaped equally by classical theater training and his headline-making romance with Elizabeth Taylor, was eager to try on the action ethos Eastwood was already nudging toward caricature. Alistair MacLean's novel The Guns of Navarone had inspired the film that started the '60s vogue for World War II military capers, so he was prevailed on to write the screenplay (his first). The central location, an impregnable Alpine stronghold locked in ice and snow, is surpassing cool, but the plot and action are ultra-mechanical, and the switcheroo gamesmanship of just who is the undercover double (triple?) agent on the mission becomes aggressively silly. --Richard T. Jameson

Features

• Absolute Power
• Dirty Harry
• Gran Torino
• Kelly's Heroes
• Letters from Iwo Jima
• Million Dollar Baby
• Mystic River
• The Rookie
• Unforgiven
• Where Eagles Dare

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Trimstyle IVORY- Golden Eagle Electronics trimstyle corded telephone- Fully modular-Electronic ringer- Wall mountable- Flash/mute/redial- FCC approved- Ringer on/off switch- Directory card included- Lighted dial pad- High/low volume control- Box dimensions: 11L x 6.5W x 2H- IvoryGOLDGE5303IV

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Walking Liberty Half Dollar

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This is 1 Troy Oz. coin made of .999 Pure Silver and shaped into the form of an old Buffalo nickel. Silver is an excellent investment (if it's pure) because no matter how much value the American dollar loses, silver will hold its value as precious and desired commodity. And this coin is especially collectible because of its craftsmanship and artistic value.

Features

• .999 fine silver, 1 ounce

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The Royal Canadian Mint has placed a strict and and low mintage on these coins. With the unprecedented demand of these gorgeous .9999 fine silver coins in Europe and the rest of the world, these Timber Wolf coins will sell out very fast! The Canadian Timber Wolf coin is the first coin released in the Royal Canadian Mint's 3-year long "Canadian Wildlife Coin Series" program. The obverse of the coin bears Queen Elizabeth II with a $5.00 CAN face value. The reverse has a beautifully designed Canadian Timber Wolf, with the moon and night time mountain side landscape behind this majestic Canadian predator. Brilliant Uncirculated!

Features

• 2011 NEW 1 OZ SILVER WOLF 5 DOLLAR COIN
• Diameter is 38 mm
• Silver is .9999 pure

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Each one of these new un-circulated U.S. Eisenhower dollar (eagle side) coins (minted 1971 - 1978) is first layered in pure Bright Silver. Then the figures of each are highlighted and brought to life with rich pure 24K Gold & Pure Silver (this gold & Silver work is done by hand). This breathtaking and exclusive work turns these coin into stunning and true works of art. Each coin is hermetically sealed against wear in clear, hard acrylic coating. Each coin comes mounted in a patented Hinged type clip that will hold just one bill or a number of bills (now that last bill wont slip away). and in a nice jewelry box. Total clip size 1-1/2 x 2