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Inspired by the greenery of the great outdoors, the Neo Leaf line of glass dinnerware from Corelle features delightful multi-hued green patterns on wide rim plates for a freshly modern update to your table setting. The Neo Leaf pattern has ring of green outlined leaves set around the plates, and a green multi-stripe accent around the bowl. This 16-piece dinnerware set includes four 10-1/4-inch dinner plates, four 6-3/4-inch bread-and-butter plates, four 18-ounce soup/cereal bowls, and four solid green 11-ounce stoneware mugs. Offering the legendary durability you've come to expect from Corelle, Neo Leaf's plates and bowls are made from Corelle's unique Vitrelle glass, which laminates three layers of glass together to create an extremely durable, lightweight, break- and chip-resistant glass dinnerware. The mugs in this set are crafted of Corelle's stoneware, which is actually breakable and has a heavier feel than Vitrelle. Microwave- and dishwasher safe, this dinnerware set is backed with a 3-year limited break and chip warranty. What's in the Box 4 dinnerware place settings. Each place setting consists of: 10-1/4-inch dinner plate, 6-3/4-inch bread-and-butter plate, 18-ounce bowl, 11-ounce mug. 16 pieces total.

Features

• 16-piece dinnerware set, service for 4
• 4 each: 10-1/4-inch dinner plate, 6-3/4-inch bread-and-butter plate, 18-ounce bowl, 11-ounce mug
• Constructed of multiple layers of thermally bonded vitrelle glass; strong, lightweight, and chip-resistant
• Outlines of multi-hued green leaves ring the plates; multi-stripe accent on the bowls

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Interdesign offers an innovative storage solution with this twigz barthat features a decorative design and non-absorbent foam backing thatprotects cabinets. No hardware required. Measures 91/4'' x 3'' x 41/2''.

Features

• Sturdy metal wire construction
• Beautiful twig and leaf design
• Hangs over cabinet door or drawer
• Non-absorbent foam backing protects cabinets
• Bronze finish

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Andy Goldsworthy's Rivers and Tides is a truly beautiful, Scottish-German 2001 documentary about artist Goldsworthy, a Scotsman whose medium is nature itself and whose preferred studio is the outdoors, particularly where water forever flows, rises, and/or retreats. The soft-spoken, secluded Goldsworthy is seen hard at work making ephemeral sculptures out of bits of ice in the trees, or building tall, mysterious cones from loose rock, which stand like spiritual sentinels in forests and on shorelines, overgrown by plants or swallowed daily by high tides. Filmmaker-cinematographer Thomas Reidelsheimer goes to great and sometimes inexplicable lengths to make visual corollaries to Goldsworthy's ideas about underappreciated relationships between light, color, movement, balance, and fluidity of form in the real world, making Rivers and Tides a lively and always surprising cinematic gallery. Some of Goldsworthy's most miraculous natural installations--stone walls that snake through hundreds of feet of forest and stream, for instance--show up in the last half-hour. --Tom Keogh

Specializing in sculptures constructed from elements of nature, Andy Goldsworthy has won acclaim from critics and the public with his innovative artistic vision. This insightful documentary follows Goldsworthy as he discusses his creative process and examines the intricate relationship between art and the environment. 90 min. Standard; Soundtrack: English Dolby Digital stereo; biographies; bonus shorts; photo gallery.

Features

• In the timeless tradition of Winged Migration and Koyaanisqatsi, the theatrical phenomenon Rivers and Tides depicts the magical relationship between art and nature while painting a visually intoxicating portrait of famed artist Andy Goldsworthy. Gorgeously shot and masterfully edited, the film follows the bohemian free spirit Goldsworthy all over the world as he demonstrates and opens up about his

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Songbird cherry-picks tracks from the three locally released albums of Eva Cassidy, whose hauntingly beautiful vocals went virtually unheard outside her native Washington, D.C., during her short 33 years with us. Lost to melanoma in 1996, Cassidy sang with an unaffected purity and an astonishing ability to make both classic and contemporary songs sound like they were written just for her. Sting's "Fields of Gold" finally lives up to its title through the alchemy of Cassidy's transcendent rendition, while other tracks on this anthology showcase her ease in the realms of pop (Christine McVie's "Songbird"), soul ("People Get Ready"), gospel ("Wade on the Water"), and traditional standards ("Autumn Leaves" and "Over the Rainbow"). Framed by understated jazz and pop arrangements, Cassidy's clear, soulful voice and exquisite phrasing make her that rarest of vocalists whose interpretations are a complement to any song. A fine introduction to a true talent. --Billy Grenier

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At a point in their career when most bands would rest their laurels upon a greatest-hits package or live album, Metallica has done both, but with a decidedly loopy twist. They've recorded a double-live greatest-hits package with the San Francisco Symphony Orchestra "sitting in." Rock history and cutout bins are littered with previous attempts at a rock-symphonic fusion, from Emerson, Lake & Palmer to Deep Purple to the Moody Blues and the Siegel-Schwall Blues Band. But while previous efforts at mixing the low-brow with the high-brow have mostly ended up browbeating the intended audience, S&M plays like a precarious joy ride. Set against the shrewd efforts of a team of orchestrators and arrangers (who employ enough taste to keep proceedings from sounding like one long "Live and Let Die" outtake), Metallica plays for their lives, undercutting their general somber tone by ratcheting up their musicianship several notches. The most underrated player here is SFO guest conductor and soundtrack vet Michael Kamen, whose attention to detail and nuance--and intuitive grasp of the Metallica canon--keeps this unlikely meeting of the minds focused and on track. -Jerry McCulley

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CD > POPULAR MUSIC > JAZZ

Features

• Nat King Cole - Love Songs Brazil Import

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There was such a magic on the screen in 1995 when the people at Pixar came up with the first fully computer-animated film, Toy Story. Their second feature film, A Bug's Life, may miss the bull's-eye but Pixar's target is so lofty, it's hard to find the film anything less than irresistible. Brighter and more colorful than the other animated insect movie of 1998 (Antz), A Bug's Life is the sweetly told story of Flik (voiced by David Foley), an ant searching for better ways to be a bug. His colony unfortunately revolves around feeding and fearing the local grasshoppers (lead by Hopper, voiced with gleeful menace by Kevin Spacey). When Flik accidentally destroys the seasonal food supply for the grasshoppers he decides to look for help ("We need bigger bugs!"). The ants, led by Princess Atta (Julia Louis-Dreyfus), are eager to dispose of the troublesome Flik. Yet he finds help--a hearty bunch of bug warriors--and brings them back to the colony. Unfortunately they are just traveling performers afraid of conflict. As with Toy Story, the ensemble of creatures and voices is remarkable and often inspired. Highlights include wiseacre comedian Denis Leary as an un-ladylike ladybug, Joe Ranft as the German-accented caterpillar, David Hyde Pierce as a stick bug, and Michael McShane as a pair of unintelligible pillbugs. The scene-stealer is Atta's squeaky-voiced sister, baby Dot (Hayden Panettiere), who has a big sweet spot for Flik. More gentle and kid-friendly than Antz, A Bug Life's still has some good suspense and a wonderful demise of the villain. However, the film--a giant worldwide hit--will be remembered for its most creative touch: "outtakes" over the end credits à la many live-action comedy films. These dozen or so scenes (both "editions" of outtakes are contained here) are brilliant and deserve a special place in film history right along with 1998's other most talked-about sequence: the opening Normandy invasion in Saving Private Ryan. The video also contains Pixar's delightful Oscar-winning short, Geri's Game. Box art varies. --Doug Thomas

Journey inside the miniature world of bugs for bigger-than-life fun and adventure under every leaf! Crawling with imaginative characters, hilarious laughs, and colorful animation, Disney and Pixar's A BUG'S LIFE will "delight everyone -- young, old, or six-legged" ("People" magazine). On behalf of "oppressed bugs everywhere" an inventive ant named Flik hires "warrior bugs" to defend his colony from a horde of freeloading grasshoppers, led by Hopper. But when Flik's cavalry turns out to be a ragtag group of flea circus performers, the stage is set for comic confusion ... as well as unlikely heroes! Featuring a star-studded voice cast, A BUG'S LIFE presents an amazing new perspective on teamwork and determination, revealing subtle new details each time you watch it.

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From Portland Oregon comes this above-average Warren Miller style documentary showing death-defying stunts and illustrations of the laws of gravity that keep the local paramedics and medical examiners here gainfully employed. GOLD LEAF takes place all over Portland - much of the action is filmed at DREAMLAND's Burnside Skatepark, one of Tony Hawk's favorite places in the world. This is not a film for posers and fruitbooters. You won't recognize the names and faces in this production; most are street kids and young folk on their way to an arthritic future who line up to trade future joint pain for present thrills and kicks. But the production quality of this film is leaps and bounds above many of this genre and makes GOLD LEAF a real prize to watch by anyone who appreciates the art and value of street skating.