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Description

Cuisinart DCC-RWF Coffee Water Filter Replacement

Features

• Set of 2 charcoal water filters helps ensure deliciously fresh home-brewed coffee
• Removes chlorine, odors, calcium, and other water impurities prior to brewing
• Simple-to-install design; requires replacing every 60 days or after 60 uses
• For use with Cuisinart models DCC-1000BK, DCC-1200, DGB-600, DCC-2000, and DCC-2200
• Measures approximately 1-1/2 by 2-4/5 by 5 inches

Sale Price: $61.00 - $155.00

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Description

A striking blend of retro style and modern technology. Programmable for brewing up to 24 hours in advance. Setting for 1 to 4 cups ensures full-bodied flavor and aroma. BrewPause™ feature lets you enjoy a cup before brewing is finished. Adjustable heater plate setting keeps coffee at the temperature you prefer. Audible "ready" signal. Automatic shutoff. Includes Gold Tone metal filter, #4 paper filter starter kit and coffee scoop. Model: DCC-1200.Product Features• Charcoal filter removes calcium and chlorine impurities for pure coffee flavor• Reservoir lid lifts up for easy filling• Brew Pause feature lets you pour a cup before the brewing process is finished• 12-cup carafe has ergonomic handle for comfortable, dripless pouring• Simple On/Off operation make unit easy to use• On/off switch, auto-on 24-hour advance brew start, programmable auto shutoff and a choice of 1-4 or 5+ cup settings, make this coffee maker easy to use• Decalcification indicator signals when its time to clean• Heater plate features adjustable settings for custom temperature• Brushed stainless steel finish and industrial switches give a vintage look for today's gourmet kitchen• LCD digital clock is easy to read• Showerhead distributes water evenly over coffee reducing temperature loss as water passes through grounds• Ready tone signals the end of the brew cycle• Cord storage feature keeps countertop neat and safeIncludes• 12-cup glass carafe• Charcoal water filter• Gold tone coffee filter• Filter basket• Illustrated instruction booklet

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What happens when three of the world's finest rock guitarists gather to discuss music? Find out in this engrossing documentary that brings together Led Zeppelin's Jimmy Page, U2's The Edge, and The White Stripes' Jack White for a candid conversation about the impact that the invention of the electric guitar has had on society as well as their lives and careers. 98 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English (SDH), Spanish, Arabic, Portuguese.

Three generations of rock guitarists come together for It Might Get Loud, a 2009 documentary directed by Davis Guggenheim (An Inconvenient Truth). These are not just your garden-variety guitar gods: Jimmy Page, in his mid-'60s at the time of the film, founded Led Zeppelin, who dominated the 1970s following the breakup of the Beatles. As a member of U2, 48-year-old David Evans, better known as the Edge, created one of the most distinctive and influential sounds of the past quarter century. And 34-year-old Jack White (of the White Stripes, the Raconteurs, and the Dead Weather) was described by one music publication as "the most significant rock 'n' roll figure of the past ten years." Guggenheim, who followed the three around for the better part of a year, takes us into their individual lives, past and present. There are shots of Page as a young London session musician, with the Yardbirds and Zeppelin, at Headley Grange (the estate where much of the fourth Zep album was made), and at home with his record collection. The Edge takes us to the Dublin classroom where U2 first rehearsed, as well as to the practice room he uses now (never a virtuoso soloist, he developed a style based on texture and a mind-boggling array of effects); and White, whose insistence on authenticity is admirable but perhaps a tad self-conscious, constructs a "guitar" from a plank of wood, a piece of wire, and a Coke bottle (he also plays a recording by the primitive bluesman Son House, featuring just voice and handclaps, that White says is still his biggest inspiration). The three also converge on a Hollywood sound stage, where they chat and a do a little jamming on Zep's "In My Time of Dying" (with all three playing slide guitar) and the Band's "The Weight." It's hard to say if the film's appeal will extend beyond guitar freaks and fans of these particular bands, but at the very least, It Might Get Loud offers some interesting insight into the soul and inspiration behind some of pop's best and most popular music. --Sam Graham

Features

• Blu-Ray Disc
• Featuring The Edge (U2), Jimmy Page (Led Zeppelin), and Jack White (The White Stripes)
• Format Blu-Ray Disc

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Bloom is the fourth full length album by Baltimore-based Beach House. It builds on 2010s Teen Dream to further develop their distinctive sound yet stands apart as a new piece of work. Bloom is meant to be experienced as an ALBUM, a singular, unified vision of the world. The many layers of Bloom are uncomplicated and meticulously constructed to ensure there is no waste. Bloom was recorded in 2011 at Sonic Ranch Studios in Tornillo, TX and mixed at Electric Lady in NYC. The band co-produced the record with Chris Coady.

Vinyl LP pressing. 2012 release, the fourth full length album from Baltimore-based Beach House. It builds on 2010's Teen Dream to further develop their distinctive sound yet stands apart as a new piece of work. Bloom is meant to be experienced as an album, a singular, unified vision of the world. The many layers of Bloom are uncomplicated and meticulously constructed to ensure there is no waste. Bloom was recorded in 2011 at Sonic Ranch Studios in Tornillo, TX and mixed at Electric Lady in NYC. The band co-produced the record with Chris Coady.

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The Sony DVD It Might Get Loud is an epic, exhilarating backstage pass into the world of rock stars. There are guitar players, and then there are rock stars. Over the course of one day, three generations of electric guitar phenoms come together, crank up their amps, and let it roll.Documentarian Davis Guggenheim gives us so much more than an all-star jam session (that alone would make even the gnarliest of rock geeks giddy). He leads us to the artists' inner sanctums and illuminates the paths each one traveled to forge a sound of his own. We begin to understand how a one-time furniture upholsterer from Detroit, a London studio musician, and a Dublin schoolboy redefined the horizons of guitar playing. Meanwhile, Jimmy Page (Led Zeppelin), the Edge (U2), and Jack White (The White Stripes) seem to genuinely enjoy each other's company while sharing riffs, swapping stories, and divulging their distinct philosophies of craft. This soulful DVD is at once a portrait of each artist and also a captivating examination of the creative process. It Might Get Loud does get loud, and in the process, opens up our minds and hearts to a whole new way of listening to and enjoying what it means to rock.

Three generations of rock guitarists come together for It Might Get Loud, a 2009 documentary directed by Davis Guggenheim (An Inconvenient Truth). These are not just your garden-variety guitar gods: Jimmy Page, in his mid-'60s at the time of the film, founded Led Zeppelin, who dominated the 1970s following the breakup of the Beatles. As a member of U2, 48-year-old David Evans, better known as the Edge, created one of the most distinctive and influential sounds of the past quarter century. And 34-year-old Jack White (of the White Stripes, the Raconteurs, and the Dead Weather) was described by one music publication as "the most significant rock 'n' roll figure of the past ten years." Guggenheim, who followed the three around for the better part of a year, takes us into their individual lives, past and present. There are shots of Page as a young London session musician, with the Yardbirds and Zeppelin, at Headley Grange (the estate where much of the fourth Zep album was made), and at home with his record collection. The Edge takes us to the Dublin classroom where U2 first rehearsed, as well as to the practice room he uses now (never a virtuoso soloist, he developed a style based on texture and a mind-boggling array of effects); and White, whose insistence on authenticity is admirable but perhaps a tad self-conscious, constructs a "guitar" from a plank of wood, a piece of wire, and a Coke bottle (he also plays a recording by the primitive bluesman Son House, featuring just voice and handclaps, that White says is still his biggest inspiration). The three also converge on a Hollywood sound stage, where they chat and a do a little jamming on Zep's "In My Time of Dying" (with all three playing slide guitar) and the Band's "The Weight." It's hard to say if the film's appeal will extend beyond guitar freaks and fans of these particular bands, but at the very least, It Might Get Loud offers some interesting insight into the soul and inspiration behind some of pop's best and most popular music. --Sam Graham

Features

• Duration: 98 minutes

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Description

Set in and around a quaint French village during the late 18th century, Beauty and the Beast follows the fantastic adventures of Belle, a brightand beautiful young woman who finds escape from her ordinary life, and the advances of a boorish suitor, Gaston, by reading books. Meanwhile, off in a castle in the distance, a cruel young prince is cast under the spell of an enchantress who turns him into a tormented beast, while transforming his servants into animated household objects. In order to remove the curse, the Beast must discover a true love who will return his affection before the last petal falls from an enchanted rose. When Belle's inventor father stumbles upon the Beast's castle and is taken prisoner, Belle comes to the rescue and agrees to take her father's place. With the help of the castle's enchanted staff, she sees beneath the Beast's exterior and discovers the heart and soul of a human prince.Features include: •MPAA Rating: G•Format: Blu-Ray•Runtime: 85 minutes

The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. --David Kronke --This text refers to an out of print or unavailable edition of this title.

Features

• Condition: New
• Format: Blu-ray
• Multiple Formats

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Description

Disney's 1959 animated effort was the studio's most ambitious to date, a widescreen spectacle boasting a gorgeous waltz-filled score adapting Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked Queen in Disney's Snow White and the Seven Dwarfs taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her 16th birthday. This, of course, would deny her a happily-ever-after with her true love. Things almost but not quite turn out that way, thanks to the assistance of some bubbly, bumbling fairies named Flora, Fauna, and Merryweather. It's not really all that much about the title character--how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here. And Malificent's castle, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. --David Kronke On the Blu-raySleeping Beauty was the last and most lavish of Walt Disney's animated fairy tales. He told the artists not to hurry and to give him "a moving illustration": The film required almost four and one-half years and one million finished drawings. Instead of the 19th century storybook illustrations that had influenced the look of Snow White and Pinocchio, the artists adapted the flattened perspective and jewel-like colors of 15th century French illuminated manuscripts. The results remain unmatched for sheer visual opulence. However, Sleeping Beauty suffers from a weak story: the vision of an ageless princess slumbering in a vine-shrouded tower was replaced with elements of Snow White and a boy-meets-girl musical. The evil Maleficent and the three Good Fairies (Flora, Fauna, and Merryweather) dominate the film, rather than Princess Aurora and Prince Philip. Sleeping Beauty was originally released in 70mm, and the Blu-ray edition restores the film to its original splendor. (Many earlier releases trimmed the wide-screen images and/or muted the glowing palatte.) The Bonus DVD looks good on a flat screen monitor, but it pales in comparison to the richness of the Blu-ray. In addition to the commentaries and a making-of documentary, the set includes myriad extras that vary widely in quality. Nostalgia buffs will enjoy the recreation of the old Sleeping Beauty's Castle attraction in Disneyland, and the TV program "Four Artists Paint One Tree" provides a welcome showcase for key talents from the film. But the CG animation of the dragon and the voice imitations of the Good Fairies fail to capture the magic of the originals in the "Dragon Encounter"; the "Maleficent's Challenge Game"--a hi-tech Twenty Questions--sounds only vaguely like the redoubtable sorceress. The BD-Live features require an awful lot of bother: after wading through (or ignoring) 130 screens of legalese, participants must enter their Social Security number or other personal information in the drawn-out sign-on process. Once that's finally done, viewers can send special messages to pop up during the film, chat online with others who are watching, and view it in synch with others. The question is whether or not you want to. (Rated G: violence) --Charles Solomon Stills from Sleeping Beauty (Click for larger image)

A beautiful princess born in a faraway kingdom is destined by a terrible curse to prick her finger on the spindle of a spinning wheel and fall into a deep sleep which can only be awakened by true love's first kiss. Though the titular princess is on par with the rest of Disney's essential heroines, most of the fun arises from the trio of charming fairies entrusted with her care: Flora, Fauna, and Meriweather. Meanwhile the evil Malificent may just be Disney's most chilling villainess. This classic makes wondrous use of Tchaikovsky's same-titled ballet score, which earned SLEEPING BEAUTY an Academy Award nomination for Best Scoring of a Musical Picture.

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Inspired by the earthy eroticism of his muse Harriet Andersson in the first of her many roles for him Ingmar Bergman had a major international breakthrough with this ravaging sensual tale of young love. In Stockholm a girl (Andersson) and boy (Lars Ekborg) from working-class families run away from home to spend a secluded romantic summer at the beach far from parents and responsibilities. Inevitably it is not long before the pair is forced to return to reality. The version originally released in the U.S. was reedited by its distributor into something more salacious but the original Summer With Monika as presented here is a work of stunning maturity and one of Bergman's most important films.

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Description

Mr. Beams Intelligent LED Battery-Operated Lights
Motion Sensor LED Spotlight Features

MB360 Spotlightat a Glance:

Battery-powered, wireless LED spotlight
Attach anywhere
Designed to work in all weather conditions
Motion sensor with a range of up to 30 feet
Auto shut-off after 30 seconds without motion

Weather resistant spotlight attaches anywhere and covers an area of over 400 square feet.
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The perfect security light for yard, doorways, garage, and playground.
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No Wires--Attaches Anywhere
Attach a spotlight anywhere: to your house, shed, garage, or even a tree. Mr. Beams offers simple installation with no wiring and no electrician needed.

Weatherproof
Tight seals and weather-resistant materials allow a Mr. Beams spotlight to work in all weather conditions.

Auto Shut-Off
Mr. Beams Spotlight turns off automatically after 30 seconds of no motion, conserving battery life.

Motion Sensor Activated
The spotlight instantly turns on when it detects motion, and can detect motion from as far as 30 feet away with 180 degrees of vision.

Bright LED Light
The bright power LED provides 140 Lumens of bright white light.

Durable, Energy-Efficient LED
The bright LED never needs replacing--it's so efficient that you will get more than 1,800 activations on one set of batteries.

Recommended Applications
The MB360 from Mr. Beams is a battery-powered, wireless, motion-sensor LED spotlight that requires no wiring. Simply insert batteries and attach to any surface. A built-in photocell activates the motion sensor only after the sun has set. These are fantastic and
bright outdoor security lights for yard, doorways, garage, and playground. The MB360 is weatherproof for year-round illumination. Attach these Spotlights anywhere in minutes without an electrician.

Mr. Beams LED lights provide indoor and outdoor lighting solutions where you need them most. Intelligent motion-sensors activate battery-operated LED lights for hands-free lighting. All units are IP44 rated, which means the
weatherproof design will satisfy
both indoor and outdoor LED light applications. All Mr. Beams LED lights install easily--no wiring, no electricians--so you can be assured of quality LED lighting anywhere.

What's in the Box
Mr. Beams MB360 Motion Sensor LED Spotlight, 3 screws, 2 mounting anchors, user manual.

Technical Specifications

Bulb Type: LED
Bulb Color: Neutral White
Bulb Life: 50,000 hours
Bulb Strength: 140 lumens
Light Range: 350 sq ft
Motion Detection Range: 30 ft, 180 degrees
Power Source: 3 D-Cell Alkaline batteries
Dimensions: 3.5" x 6.6" x 4.5"
Weight: 11 oz

Features

• Extremely bright LED with minimum power consumption, 140 Lumens
• Motion sensor turns LED spotlight on and off automatically
• Features a weatherproof design for durability
• Simple wireless installation in minutes
• Provides 350 square feet of coverage, battery operated

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Make sure the water and ice from your refrigerator is as clean and fresh tasting as possible by replacing its water filter. This Whirlpool PuR water filter is used in Whirlpool, KitchenAid, Maytag, Amana, and JennAir side-by-side refrigerators with filter access in the base grille. It's NSF-certified to reduce cysts, particulates (class I), asbestos, lead, mercury, and more. (The contaminants or other substances removed or reduced by this water filter are not necessarily in all users' water.) While it effectively removes contaminants from your water and ice, this filter also lowers the taste and odor of chlorine while retaining beneficial fluoride. For the highest quality water and ice, your refrigerator's water filter needs to be changed over a period of time as its effectiveness at cleaning the water is reduced. For optimal results, you should replace this refrigerator water filter every 6 months to ensure clean, safe drinking water and ice. Your refrigerator will even remind you when to change its filter, turning on an indicator light found near the water dispenser. Changing the filter is easy--just locate the old filter, twist and turn it until it becomes loose, then pull the old filter out and replace with the new filter. This model (4396710) can be used to replace the following water filter model: 4396711 Replacing Your Water Filter For side-by-side refrigerators with filter access in the base grille, follow these instructions for replacing your filter: Push the eject button, then pull the filter cap. Do not twist cap. Remove the filter cap by turning it counter clockwise. Set aside cap. Discard old filter. Remove the packaging and O-ring covers from the new filter. Align arrows on the cap and new filter. Turn clockwise to snap in place. Push filter into the base grill until the eject button pops. Gently tug on cap to ensure it is snug. Flush the water system until a total of 3 gallons (12 L) has been dispensed.

Features

• NSF-certified refrigerator water filter retains beneficial fluoride in water while reducing chlorine taste and odor
• Also reduces cysts, asbestos, particulates, lead, mercury
• Replace every 6 months
• 2-pack premium push-button refrigerator water filters
• For Whirlpool and KitchenAid side-by-side refrigerators with filter access in the base grille